Showing posts with label Clint Eastwood. Show all posts
Showing posts with label Clint Eastwood. Show all posts

Wednesday, June 25, 2014

Nonverbal Communication Analysis No. 2862: Eli Wallach, "The Good, the Bad and the Ugly and Body Language (VIDEO, PHOTOS)




Eli Wallach passed on yesterday. He was 98. Mr. Wallach was a great actor who continued his craft to the years of his long life. He is best known for his roles in "The Magnificent Seven", "The Misfits", "The Godfather Part III", "The Two Jakes" and "The Holiday". He was also known for his role as "Tuco" (aka "The Rat") in "The Good, the Bad and the Ugly" - which also provides some excellent nonverbal teaching points.


In this moment, just before the denouement, Tuco's (Wallach's) eyelids open widely. This nonverbal element is a primary component of and an accurate portrayal of the emotion of fear - which of course is expected within the context of this scene. And even though it takes place outside in the sunlight, in such an intense "life and death" moment his pupils would be significantly dilated. No one can voluntarily control their pupil size however. It would have been significantly more realistic if Sergio Leone (the director) would have dilated Wallach's eyes (and the others) medically (using eye drops) in this key scene of the film.


Here, another actor Lee Van Cleef, who plays "Angel Eyes" in the movie, displays eyelids which are partially closed (aka "eyes narrow"). In this cluster context - his eyelid configuration is consistent with mild to moderate levels of anger (not severe anger aka rage). As mentioned with Eli Wallach's eyes - his pupils are also contracted. This nonverbal cluster is not realistic for the body language seen in the scenario of a dramatic "flight, fight or freeze" struggle which is being acted out here.



Clint Eastwood - known as "The Man with No Name" or "Blondie" in the film - also has very narrowed eyes and small pupils - again inconsistent with fear and any realism.





The positioning of the Tuco and Angel Eyes within the clearing of the cemetery (and the fact that Eastwood's character knew that only one of the other men had bullets in his gun) engendered a "darting back and forth" of  both Tuco's and Angel Eyes eye's - which projects low trust, low emotional comfort and a beta mindset. Clint's were locked in on his enemy and didn't move - projecting a high alpha confidence

Rest in peace, Eli. Thank you.

See also:

Nonverbal Communication Analysis No. 2782: Hillary Clinton dodges a shoe - Body Language ... and Not

Nonverbal Communication Analysis # 2338:  Why Does Keit Pentus-Rosimannus feel Fear?  Body Language of Estonia's Minister of Environment

Nonverbal Communication Analysis No. 2791: Sofia Vergara, Threesomes and Fear - Body Language & the Fading Gigolo

Nonverbal Communication Analysis # 2274:  The Eyes & Mouth of Fear -  Body Language of Ahmed Dogan during  Attempted Assassination

Nonverbal Communication Analysis No. 2762: Pepsi Max's "Unbelievable" Bus Shelter Video - Body Language

Nonverbal Communication Analysis No. 2833: Edward Snowden & Neck of Fear - Body Language Tells

Nonverbal Communication Analysis No. 2861: Ronald Reagan and Variations on Thumbs-Up Body Language
_________________________________________________________________________________

Sunday, February 3, 2013

Nonverbal Communication Analysis # 2290:
Jim Harbaugh is Enraged
Super Bowl XLVII Body Language - 2013



















Jim Harbaugh, the Head Coach for the San Francisco 49ers is enraged. At the time of this post it's the early in the 4th quarter and his team is behind 31-23 against his  brother John's Baltimore Ravens. When the eyelids open very widely - there are three primary emotions that should spring to your mind. Surprise and fear are two; however they are not exampled here. Severe anger - aka - rage is what Harbaugh's body language is revealing. Although with mild to moderate anger the eyelids will grow closer together (think Clint Eastwood in "The Good, The Bad and The Ugly") - when the anger grows to extreme levels the eyelids change to a "White & Wide" configuration.

See also:

Nonverbal Communication Analysis # 1858:  What the Eyes Do - Mild vs. Severe Anger - a' la Clint Eastwood

Nonverbal Communication Analysis # 2138: President Obama's Anger-Frustration During Debate -  An Under-Appreciated Body Language Signal

Nonverbal Communication Analysis # 1863: Sharapova's Lips of Anger

Nonverbal Communication Analysis # 1859:  Prince William is Angry at the Queen's Jubilee

Negotiation Body Language Secret # 273:  Anger and Disgust in Azerbaijan 

Negotiation Nonverbal Communication Secret # 1060:  Belichick's Anger

Negotiation Body Language Secret # 931:  Harbaugh's Fear and Anxiety

__________________________________________________________________________________

Tuesday, August 14, 2012

Nonverbal Communication Analysis # 2085:
Dina Eastwood - Tongue-in-Cheek Variant































The anteriorly directed (towards the front) Tongue-in-Cheek variant (particularly with her coexisting eye and forehead configurations) exemplified by Dina Eastwood (Clint's Wife) is a sexually provocative body language display. This nonverbal sign can occur both consciously and at the edge-of-consciousness. Ms. Eastwood's hair preening is also consistent with flirtatious behavior. And although the context of this photo is deliberately theatrical, if we were to have a video of this moment, her elbow would most probably be seen for a time to extend out straight laterally, opening exposing her armpit.

Tongue-in-Cheek displays can have several additional meanings depending on the other nonverbals with which they are clustered. These include anger, sadness, alpha dominant display, "I just caught you", "I just won", self-righteousness/smugness, telling a lie.

See also:

Analysis # 1911: Preening as a Signal of Affection-Attraction

Analysis # 1858: What the Eyes Do - Mild vs. Severe Anger

Analysis # 1834: Chelsea FC vs. Bayern Munich and the G8 






___________________________________________________________________________________

Tuesday, June 26, 2012

Nonverbal Communication Analysis # 1911:
Preening as a Signal of Affection-Attraction





















In this image Dina (Ruiz) Eastwood, preens her actor/director/producer husband - Clint Eastwood's face. Preening another person is a strong body language signal for affection-attraction. It also a nonverbal practice which comforts and engenders bonding.



___________________________________________________________________________________

Sunday, June 3, 2012

Nonverbal Communication Analysis # 1858:
What the Eyes Do - Transitioning from Mild to Severe Anger



















Close-ups of the great actor & director Clint Eastwood's eyes are shown in these two images. In both photos, Clint is angry. His brows are lowered and pulled together along with a contraction of the muscles overlying the bridge of the nose - ergo the dynamic and characteristic wrinkling of the tissue there. 

Most notably though in these two images are the contrasting appearances of his eyelids. In the above photo they are partially closed in what some refer to as an anger "squint". This is indicative of mild anger and not to be confused with the partial eyelid closure (but very different eyelid appearance) of a sincere smile (see also: Secret # 353: Brad Pitt's Smiling Eyes - Sincere and Insincere Smiles)

The picture below however shows Eastwood's eyelids, particularly his upper eyelids (and more noticeable on HIS left) opening wider. This is demonstrative of transitioning to moderate and higher levels of anger. Severe Anger is synonymous with Rage - and once this full transformation occur, both of Clint's eyelids would be open very wide.

Anger is the only emotion where the eyelids have opposite findings when comparing the milder vs. more extreme examples.

See also:

Secret # 1060: Belichick's Anger

Secret # 817: Anger & Steroids in Milwaukee 

Secret # 273: Anger & Disgust in Azerbiajan

Analysis # 1555: Ann Romney Hits it Back Over the Net to Hilary Rosen

Secret # 779: What Does Staring Indicate?

Analysis # 1652: Crude Oil, Speculators & Counting on Thumb First

Analysis # 1211: Tiger's Eyes - Subtle Signal - Severe Anger

Analysis # 1465: Santorum's Anger Eyes - White & Wide - Confrontation with Jeff Zeleny of the New York Times



















___________________________________________________________________________________

Friday, February 10, 2012

Dating & Romance Nonverbal Communication Secret No. 1010: What Makes the Twinkle in Her Eye?


What makes the Twinkle in Her Eye? This is not a straightforward answer - as there are several components behind the "twinkling".

The first requirement for a twinkle in the eye - is that the smile must be sincere. A smile with a "high sincerity quotient" must have the eyelids partially closed. Without partial eye closure, there is no sincerity. This is an absolute. However, not all partial eye closure equates with sincerity -  think of subtle to moderate anger - a' la Clint Eastwood. In order for a sincere smile and thus true Joy-Happiness to be occurring, there must be the dynamic of a very subtle lowering of the eyebrow (very difficult to see) and a highly characteristic concave-up furrow in the lower eyelid (very easy to see - e.g., here on Rashida Jones). See also: Secret No. 353: Brad Pitt's Eyes - Sincere and Insincere Smiles.

The primary reason why the eyes "twinkle" is that when there is a momentary partial closure of the lids - this squeezes the tear film (the very thin layer of a highly specialized fluid on the surface of our eyes) into a smaller space - thus this swallow layer of fluid gets "deeper" for a few seconds. This extra "depth" reflects light more effectively - so the eyes appear to twinkle. If you look carefully at the lovely Ms. Jones, you can see two light reflection in each eye - one near (over) the center of each pupil - and a second one below just a fraction above each lower lid (where the tear film is a fraction of a millimeter deeper) - ergo more "twinkle"!

As far as the mouth goes, with sincere smile - as the gorgeous "Parks and Recreation" Star exemplifies, only the upper teeth should be visualized. If the lower teeth are showing (with the exception of laughter) there is a component of a forced or posed smile - ergo insincerity. There are exceptions to this, as one can suppress the mouth component of a smile - which of course is termed (go figure...) a "suppressed smile". This is still a sincere smile, but may be easily confused with other emotions and nonverbal nuance.

Now back to the eyes. When the pupils are larger, the "background" for the light reflection contrasts greater with the "foreground" twinkle - and makes the twinkle more visible (a light color against a dark background is simply easier for your eye to see). What causes larger pupils? When a person is sexually or affectionately (e.g., without a sexual component - such as a parent to child or vice versa) attracted to another - pupil diameter will increase. More attraction equals more twinkle. Of course, a darker environment will also cause pupils to become larger. This is one instinctive reason why dimly lit restaurants are considered more romantic. Rashida does not have larger pupils in the example above.

The angle of the light source-to the subject also plays a role. To give the greatest twinkle, it must be positioned behind the viewer (e.g. You). The source of the light may certainly influence the twinkle as well. If it is too bright - as very often is the case - it will cause the pupils to contract - thus detracting from the "twinkle".  A candle's light source has the advantage of being dim (so as to engender larger pupils) and dynamic. This constantly changing flicker adds considerably o the twinkle-effect. And you wondered why candles were romantic?!

Love must not be excluded as a cause of a "twinkle" in the eye. Since a "twinkle" is subjective - like beauty - it ultimately depends on the perception of the beholder. So if you love another, or you believe they love you - this very much colors your perception.

In summary, the perceived and real components of the "twinkle" in the eyes are caused by:

    1.  Partial eyelid closure component of a sincere smile -
         causing a deeper tear film on the surface of the eye.
         This leads to more reflectivity as well as a second reflection in each eye.
    2.  The mouth component of a sincere smile
    3.  The type and angle of the light source
    4.  Larger pupils
    5.  Love and/or affection: are they present?

Just in time for Valentines Day ....



___________________________

Sunday, January 29, 2012

Negotiation Body Language Secret # 925:
Hemsworth's False Smile is Worthless































At first glace to the untrained eye, Liam Hemsworth's mouth looks as if he's trying to squeeze out a smile at the Australian Academy of Cinema and Television Arts Awards. If you look carefully though, you'll notice his "mustache area" is slightly tensed and his upper lip is mildly stretched and thinned as well. Hemsworth's nostrils are flared too. His eyelids are partially closed, but not in the sincere smile manner. If his lids were closed as a result of a true, felt smile - we would see the classic, concave-down furrow nonverbal sign in Hemsworth's lower lids (see Secret #921: Spotting Giants' Sincerity). This young actor is not smiling sincerely at all, moreover his attempt at a social smile is also poor. Liam's emotions are disgust (best exemplified by his flared nostrils) and anger (his out-of-context Clint Eastwood-like eyelid squint as well as his thinned upper lip).

Anyone can spot severe anger or disgust. How skilled are you at picking out moderate or subtle examples? Miss them at your own risk.

___________________________________________________________________________________